The Latest, The Greatest
If you haven't already, check out some of my recent posts over on my Forbes blog.
Related to that last, I enjoyed Alexandra Schwartz's more negative and cleverly cutting evisceration of "I Love Dick" in the New Yorker.
"That manifesto-like tone is typical of the show. In moments like this, it lands with cocky charm. Mostly, though, it seems as if Soloway and the women of her writer’s room (to her credit, she insisted on an all-female script team) sat around spit-balling sound bites to print on T-shirts or Women’s March posters."