Porn Star, Reinvented

0 Likes, 1 Comments - Susannah Breslin (@susannahbreslin) on Instagram: "💀 Skull ring on adult performer @therealdelladane #northhollywood #pornvalley"

Since relocating back to LA, I've had the opportunity to talk to some adult performers, and it seems in the years since I first set foot on a porn set, in 1997, the women have changed.

She's more entrepreneurial

Once upon a time, a performer like Jenna Jameson was the product of a production company. Nowadays, she's, more often than not, her own creation. The women who do the best, from what I surmise, are keen self-branders, shrewd marketers, and understand this is the adult business.

She's more of a hustler

She's on Twitter, Instagram, and Snapchat. She makes her own content, trades clips, and monetizes behind-the-scenes glimpses. Social media connects the performer with the consumer, and she leverages that relationship to boost her bottom line.

She's more empowered

Or at least she has the potential to be. The Free Speech Coalition has recharged itself. There's APAC. Ideally, she's educated about her sexual health. If she doesn't have an agent, she sets her own rates, does her own PR, manages her LLC. Thanks to the internet, her career in XXX is in her hands.

Black Thursday

LA, Changed

9 Likes, 1 Comments - Susannah Breslin (@susannahbreslin) on Instagram: "WeHo"

It's been some time since I've lived in Los Angeles, and I'm happy to have moved back last month.

Here are a few ways it's changed.

It's more politically correct

It used to be that California was a bifurcated state. The North was where the hippies lived in politically correctness. The South was where the heathens lived in political incorrectness. Now LA is more politically correct. The recycling. The bag policing. The Priuses. Still, there's a layer of muck below the surface. Thick black tar, underneath it all. It's PC as performance.

It's more crowded

In LA proper, the streets are glutted with traffic. Nobody can agree upon the driving rules. The drivers are more aggressive. It takes forever to get anywhere. After dark, the freeways are red and white glowing streams of people trying to get somewhere, anywhere but where they are.

It's more expensive

In Los Feliz, the one bedroom apartment that I used to rent for $725 a month is now $1,850 a month. $2,000 a month gets you a dump near a busy street and maybe no refrigerator. Hollywood, the Valley, and the areas east are a bit more affordable. This is New York City, without the brownstones.

The food is better

Poke bowls. Handmade mozzarella. Fried Thai ice cream. Pop up restaurants. Food trucks. Fine dining with a side order of attitude. It's all there. And it's fucking delicious. Every bite of it.

There's a lot of art

The sculptures made of dead bodies. Whatever the hipsters are doing these days in Echo Park. Those loaded Broads. It ain't the Met, but I'll take it. Because the palm trees are Rodins, and the faces of the ladies on Rodeo Drive are Cindy Shermans, and the Hollywood sign is a Barbara Kruger.

Sunday Brunch

Red Carpet

5 Likes, 1 Comments - Susannah Breslin (@susannahbreslin) on Instagram: "Porn star 💫"

Last night I went to an adult industry event in West Hollywood. Walking in to this nightclub, I wasn't sure if this was an adult industry exclusive event or if there were other non-adult industry people mingled with the rest. But it was really exclusively an adult industry event. (In porn, people in porn are professionals, and people who are not in porn are civilians.) At some point someone asked me about what I thought or how I thought things had changed, and I said, you know, fifteen years ago, a porn star looked like a porn star. Now, it's harder to tell. The lines have blurred. The girls are more diverse, and the fashions are less extreme, and the division is not so stark. I suppose that's like porn itself. More mainstream. Yet still on the fringe. Somewhere in between. Was it a porn event? In a way, yes. In a way, no.

Read It

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"In one of several genial interviews, Dunne asks Didion about an indelible scene toward the end of her Haight-Ashbury essay—which, as any student who has ever taken a course in literary nonfiction knows, culminates with the writer’s encounter with a five-year-old girl, Susan, whose mother has given her LSD. Didion finds Susan sitting on a living-room floor, reading a comic book and dressed in a peacoat. 'She keeps licking her lips in concentration and the only off thing about her is that she’s wearing white lipstick,' Didion writes. Dunne asks Didion what it was like, as a journalist, to be faced with a small child who was tripping. Didion, who is sitting on the couch in her living room, dressed in a gray cashmere sweater with a fine gold chain around her neck and fine gold hair framing her face, begins. 'Well, it was . . .' She pauses, casts her eyes down, thinking, blinking, and a viewer mentally answers the question on her behalf: Well, it was appalling. I wanted to call an ambulance. I wanted to call the police. I wanted to help. I wanted to weep. I wanted to get the hell out of there and get home to my own two-year-old daughter, and protect her from the present and the future. After seven long seconds, Didion raises her chin and meets Dunne’s eye. 'Let me tell you, it was gold,' she says. The ghost of a smile creeps across her face, and her eyes gleam. 'You live for moments like that, if you’re doing a piece. Good or bad.'"

-- "The Most Revealing Moment in the New Joan Didion Documentary"

Last Night

33 Likes, 1 Comments - Susannah Breslin (@susannahbreslin) on Instagram: "Mmm delicious 🍜"

Last night I went to a reading in Echo Park. It was held at Time Travel Mart, which is ostensibly a storefront where you buy time travel related items, but is also 826LA. I didn't know anyone there and was late because traffic, so I sat by myself at a table. There were 3 x 5 cards and cups of pencils on every table, and I was instructed to write a writing prompt on the card, which I did: A GIRL WITH NO NOSE. Several people read. Then it was time for the intermission game, which was basically: two volunteers, one writing prompt selected from the bucket of them, and five minutes to write something. Then you would read what you wrote. Then the audience would vote on who won. So I volunteered because #YOLOLA. And I wrote a story about a man named Martin Feeble who meets a girl at a dance and the girl has an "attractively lumpy disposition." Then we read our stories. Then the two of us who were competing put our head on our table, and the rest of the room voted. It was a tie. Afterwards, I went and looked around in the faux storefront. It had curious things like a soda case of dinosaur eggs, and a TIME-FREEZY HYPER SLUSH machine. I decided to buy a can of PRIMORDIAL SOUP and asked the man, who was a bit rumpled, working the front desk what was in it. He stayed in time travel character and said some confusing things about the past, present, and future. In other words, he did not answer my question. Then he asked me if I enjoyed myself, and I said I did, but, I said, I was "angry" that I hadn't won the write-off, that it was a tie. I was staying in character: my character of a chagrined writer. I'm not sure if he thought I was joking or not. Then I took my can of primordial soup and left.

Sally

5 Likes, 1 Comments - Susannah Breslin (@susannahbreslin) on Instagram: "Sally 👽"

I bought this Sally doll at a comic book and collectibles store in Burbank. I suppose in theory I could've kept her in her packaging, but instead as soon as I could I ripped her out of it. If you don't know Sally, she's a "humanoid ragdoll" from Tim Burton's "The Nightmare Before Christmas," "made of various pieces stitched together, with dead leaves used as stuffing." There's a great scene in the movie, where she comes apart, and she stitches herself back together again.

The Reading

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Last weekend, I went to a literary reading in Highland Park. It was held at a curious bookstore with all kinds of curious books and curios, and the event was hosted by a guy I know, although I hadn't seen him in over a dozen years. It ended up being a bit crowded, and the guy I knew who was hosting it didn't recognize me, and I had gone by myself, so I ended up sitting in a chair and just sort of observing, which was fine. The reading started, and it was fun. The first woman sang before she read, in Spanish, which was lovely, and the lights were dim, and there were books all around. As it turned out, one of the readers was named Ben Loory, who has a new collection of short stories out called Tales of Falling and Flying. Loory's writing is itself a bit curious; how can I describe it? Like a child's story on crack? Maybe. In any case, I hadn't read anything by Loory -- TBH, I don't think I'd heard of him before -- and he read a story called "The Writer," which dazzled me. It's moving and sad and beautiful and inspiring. It has lines it it like: "Late that night, the man broke into the writer's room, and stood over his bed in the dark." I was so taken by this fiction that I bought a copy of his book and despite the fact that it made me feel sort of silly, I asked Loory to sign it, which he did, writing: "To Susannah! Amazing! Enjoy!" Then I went home. For the following weekend, I'd made plans to go to another reading. This one more in LA proper. This time going with a friend. This one in a nightclub, which was sort of an odd venue for a literary reading, as it was very cold, and rather dark, and people filled the floor of the club to stare at the stage, and it kind of looked like the literary version of "Close Encounters of the Third Kind." When I'd decided to go, I hadn't really registered who was reading, and the day of the event or maybe the day before I noticed that Loory was reading at this reading, too. This struck me as kind of odd. I told my friend about this fact as we ate dinner beforehand. Maybe Loory would think I was some kind of groupie, following him from reading to reading. Regardless, we went, and eventually we were standing in this cold, dark room listening to various people of dubious talent read stories of little interest to me, until, of course, Loory took the stage. Ah, but, see, I'm sorry. I've forgotten part of the story. While my friend and I were standing there -- "I'm scared of literary types," some guy in the crowd sneered, as we waited -- a woman was wandering around the club and handing out large homemade signs with people's names scrawled on them in pen markers of various colors. I watched as she handed a sign to a woman leaning against a column. The sign read "JESSICA." At some point, the woman appeared in front of me, holding a sign, and she asked me, would I hold this sign up while the person who has this name is reading? Sure, I said. About a month previous, a friend of mine told me say yes to everything, and I have been trying to do that. So I said yes, and she handed me the sign, and I looked at the sign, which, to be clear, in case there is any confusion, I didn't make, and the sign said "BEN" in big letters, and someone had gone through the painstaking task of filling the big B with dots, and there were several hearts floating around -- below the B, above the E, under the N -- and in two of the corners there were stickers in the shape of green glitter covered arrows, like shooting stars, like you were going somewhere. Christ, I thought. Now I am really going to look like a groupie. There is that six-one woman in the back of the club holding up the giant handmade sign while Loory reads on the stage. Regardless, a woman came to the stage to read and stated that she couldn't see anyone in the audience, due to the lighting, I presume, so I figured that while I had considered, you know, hiding the sign, or not holding it up, I might as well do it, and Loory would never know. Finally, about halfway through the reading, Loory took the stage. This time, he read a story called "Fernando." It's about a man who forgets his name and what happens to you when you lose your identity and must go to war to get it. It has lines in it like: "Fernando is my name! the angry man screams." When Loory took the stage, I did as I had been instructed: I held the sign in the air. I waved it a little. Then I listened to the story, and I started laughing, quietly, because the entire thing was so great: I was out in LA, I was in this place, I was listening to someone read a story about what it takes to find yourself, even when you are there all the time, hiding within you. After Loory was done, my friend and I consulted one another. Should we stay or should we go? It isn't going to get any better than this, I told her. So we left, and I took the sign with me. I held it while we walked through the bustling dark night of the city. And then I went home.